Thought I wouldn't start until today, but found myself putting scenes on paper over the weekend.
I'm deviating from my usual procedure; I'm trying to get the outline complete before I write scenes. Yet sometimes you'll just get a flash of a conversation or a conflict between two people and you have to write it down. It won't wait. So I've created a folder I titled "random scenes" to put scenes that look as if they must go in the story but I don't know where yet.
So I'm thinking that as I go, there may be outline - scene idea - outline - scene idea. It was only after one scene popped up and I wrote it down and looked at it that I realized it would make a good climax.
I wouldn't call it outlining on the fly, but I might say the outlining process can be somewhat organic.
A note: at the risk of sounding like an Evan Marshall cheerleader, if you haven't done so, please request and download "The Marshall Plan Fiction Makeover."
At first I thought it wouldn't be useful. Figured it was too skimpy and short with too much white space to be useful...okay, I admit it. I was wrong, though. So don't hold it against me.
Then today I decided to copy one of his dialogue examples and use it as a piece of model dialogue. Check out page 45, the dialogue from Rosemary's Baby. It begins like this:
“Don’t you think we ought to talk about it?” she said the next morning at breakfast.
“About what?”
She looked at him; he seemed genuinely unknowing. “The conversations we’ve been making,”
she said.
“What do you mean?”
“The way you haven’t been looking at me.”
I decided to copy and paste the entire piece in my scene folder and use it to model my own dialogue. I came up with a scene I really like. In fact, it made me laugh.
So please take advantage of the information Evan has provided. It's quite good.
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